This article does such a good job of extolling the virtues of physical books and personal libraries, that I just have to excerpt a large chunk of it below.
Discovered by chance on Peter Mendelsund’s blog (designer at Random House US), linked to the original article by Leon Wieseltier at The New Republic. (Also of note are Mendelsund’s views on sharing as a method of, in essence, archiving items that are digital in origin.)
Voluminous — Leon Wieseltier
The Library, like the book, is under assault by the new technologies, which propose to collect and to deliver texts differently, more efficiently, outside of space and in a rush of time. If ever I might find a kind word for the coming post-bibliographical world it would be this week, when I have to pack up the thousands of volumes in my office and reassemble them a short distance away—they are so heavy, they take up so much room, and so on; but even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight—matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows. And a book is more than a text: even if every book in my library is on Google Books, my library is not on Google Books. A library has a personality, a temperament. (Sometimes a dull one.) Its books show the scars of use and the wear of need. They are defaced—no, ornamented—by markings and notes and private symbols of assent and dissent, and these vandalisms are traces of the excitations of thought and feeling, which is why they are delightful to discover in old books: they introduce a person. There is something inhuman about the pristinity of digital publication. It lacks fingerprints. But the copy of a book that is on my shelf is my copy. It is unlike any other copy, it has been individuated; and even those books that I have not yet opened—unread books are an essential element of a library—were acquired for the further cultivation of a particular admixture of interests and beliefs, and every one of them will have its hour. The knowledge that qualifies one to be one’s own librarian is partly self-knowledge. The richness, or the incoherence, of a library is the richness, or the incoherence, of the self.
(The New Republic)